Adobe’s pro video tools have made enormous advancements in recent years. So much so, that the older CS versions are hardly recognizable when compared to the newest CC editions, in terms of new features and performance improvements added since then. Adobe has really poured a lot of effort into these tools, and it shows: the current video suite has gained significant adoption and is widely considered a leader in the industry. All of their video applications are available/included in the complete Creative Cloud (“All Apps”) subscription offering direct from the company.

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SAN JOSE, Calif.—October 13, 2015—At the record-breaking MAX conference last week, Adobe revealed 11 sneak peeks of technol­ogies they are working on but haven’t released yet. Some of these new features are absolutely mind-blowing and defy belief, yet the company did not web­cast the sneak peeks. But good news, you will find complete videos of each of them captured below!

Naturally, the Adobe says there aren’t any guarantees for what will appear in a production release, or when: “See the coolest demos of what we’re cooking up in the Adobe development labs, and be the first to get a peek at technologies that may (or may not) make it into future products and services.” But never­the­less, major new product features very often appear in these previews before they make it into the real tools (cases in point: Content-Aware Fill, Perspective Warp, Image Deblurring, and Defog/Dehaze).

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Check out the video below – 11 seconds of heart-stopping footage posted on Instagram by daring Adobe artist Shaun Saperstein:

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[UPDATE (May 6th) – Major news out: Adobe Unveils New “CC” Release (CS7)…]

Just in time for the big NAB show, Adobe has given us an enormous window onto what they’re calling an “upcoming version” of their industry-leading Creative Suite professional video tools: Premiere Pro, After Effects, Audition, SpeedGrade, Prelude, Media Encoder, Story Plus, and new Adobe Anywhere.

Powerful new features are coming to Adobe’s industry-leading video and audio tools. You’ll soon be able to work even more creatively, seamlessly, and profitably — from script to screen. Here’s an early look at what to expect in the upcoming releases …

See the complete NAB Reveal here.

What’s immediately apparent from the huge list of new features and improvements is that Adobe’s product development teams have been very busy in the twelve months since CS6 came out…

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[UPDATE (May 6th) – The next release is announced! Learn more about new Adobe CC.]

One could say that Adobe After Effects is the Photoshop of the video editing world, creating graphics and visual effects for moving pictures… And rotoscoping is effectively cutting an object out from a video so that it can be manipulated separately or placed somewhere else. Creating a perfect mask (or matte) that accurately defines the in-motion object has been particularly challenging over the years, an often painstaking and time-consuming task…

But now enter the next release of After Effects (perhaps CS7?) – which promises a new “Refine Edge” feature to make this work (look like) child’s play… Here’s the history of rotoscoping technology over the years and what After Effects will be able to do for you in the future – and it’s impressive to watch even if you have never before used After Effects:

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[UPDATE (April 23rd) – Creative Suite 6 is out!]

On Thursday Adobe surprised everyone with an “early reveal” of the new CS6 video products just in time for the NAB 2012 show in Las Vegas kicking off today…

If you missed it, we have coverage of the new features in Premiere Pro, After Effects, and Audition, with a CS6 vs. CS5.5 version comparison – as well as the same for the CS6 Production Premium suite, taking a look at what’s new and improved.

These video tools are loaded with new features and performance improvements, and are already getting solid reviews. Lynda.com writes, “Workflow, speed, and efficiency make for a strong CS6 update to veteran production applications Adobe Premiere Pro and After Effects.”

And PC Pro Magazine gives its verdict on Premiere Pro CS6: “A significant interface overhaul, both in appearance and day-to-day operation, makes this sophisticated, powerful editor more tempting than ever… Adobe’s video-editing flagship completes its transformation from a clunky and unresponsive behemoth to a smooth, efficient professional tool.”

Here now are some Frequently Asked Questions (and answers) on the products, and a bit further down are some helpful video demos for each of the three.

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[UPDATE (April 23rd) – Creative Suite 6 is out!]

Wondering what’s coming soon in Adobe’s world-class video suite CS6 Production Premium, before it comes out next month? Read below for the latest details on what’s new and improved in CS6, and what’s different compared to CS5.5…

This information is being revealed in advance of the 2012 NAB Show in Las Vegas next week, where the company is planning to make a really big splash with these new tools.

Adobe CS6 Production Premium introduces a sleek, fresh editing environment in Premiere Pro – the hub of your post-production workflow. Freely iterate creative ideas with the new Content-Aware family of technologies in Photoshop Extended and with new 3D advancements in After Effects, where the Global Performance Cache lets you work as fast as you can think. New components – Adobe Prelude, a logging and ingest tool, and Adobe SpeedGrade, for color grading and finishing (originally published by Iridas) – offer superior solutions to common production challenges. Adobe Audition adds dozens of enhanced editing features and support for control surfaces so you can produce audio more efficiently. From planning to playback, CS6 Production Premium gives you tools that help your workflow.

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[UPDATE (May 7th) – CS6 is here!]

We’ve got the scoop on the new video features and software coming soon in Creative Suite 6 — and the go-ahead from Adobe to reveal them!

In particular, we can sneak peek and show you everything that’s going to be in the CS6 Production Premium video suite: Premiere Pro CS6, After Effects CS6, Audition CS6, Story CS6, Adobe Media Encoder CS6, Encore CS6 – plus two new applications, Prelude CS6 and SpeedGrade CS6!

The company is planning to make a really big splash with these new tools at the 2012 NAB Show in Las Vegas next week.

Adobe Premiere Pro CS6 delivers a sleek, professional user interface; a powerful playback engine; and a host of fantastic creative features. Quickly stabilize shaky shots with Warp Stabilizer. Natively edit anything from low-resolution to RED EPIC 5K and ARRIRAW footage, finesse your work with dynamic timeline trimming, handle more multicam angles, and correct rolling shutter artifacts. Get flexible audio tracks, powerful color workflows, Adobe Prelude software integration, and more.

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Last week Adobe revealed 11 sneak peek videos of technology they are working on but haven’t released yet, and while Photoshop Image Deblurring and InDesign Liquid Layout got much of the attention, there were still some amazing developments in the video realm as well – and all three of those are covered below.

Naturally, Adobe says there are never any guarantees for what may or may not appear in a production release, or when… (maybe CS6?) But nevertheless, major new product features very often appear in these previews before they make the real tools (case in point, Content-Aware Fill).

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Even though Creative Suite 5 has been out for over a year, and CS 5.5 since the spring, some components of Creative Suite 4 remain surprisingly popular… In particular, the two applications After Effects CS4 and Premiere Pro CS4, which were released in the fall of 2008, are still sought by many. At first this might seem odd, but there’s good reason… Why does this duo of earlier tools remain in demand?

It’s no doubt owing to the 64-bit-only requirement for those two products (and only those two products) in Creative Suite 5… Adobe explains the reason for this is because developing in native 64-bit gives the best optimized performance benefits with the demanding technical requirements of working with high definition video. But these won’t run on many older computers.

Note this is more of a Windows factor and does not affect the majority of Mac systems using Intel proces­sors… But with no 32-bit Windows versions of After Effects CS5.5 or Premiere Pro CS5.5 offered, perhaps it shouldn’t be surprising the CS4 releases continue to be needed. After all, statistics show that 43% of the broad Internet community still runs on Windows XP – making it still the most widely-used Microsoft Windows platform – but which isn’t supported for those CS5 apps.

The question then becomes, what to do about it? If you’re still on 32-bit or XP, but need one of these products after the free trial has run out, would your best choice be to buy the previous generation version of CS4? Doubtless your next computer will be 64-bit – so wouldn’t it be better to invest and get both – CS4 (for current use) and CS5.5 (for future growth) – two for the price of one? Especially since these two latest releases have been getting stellar reviews from many sources…

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